From the novel; Native Son
The question is based on Richard Wright’s Native Son
Bigger kills Mary due to______?
The correct answer is A. Fear
The protagonist and main character of Native Son, Bigger is the focus of the novel and the embodiment of its main themeâthe effect of racism on the psychological state of its black victims. As a twenty-year-old black man cramped in a South Side apartment with his family, Bigger has lived a life defined by the fear and anger he feels toward whites for as long as he can remember. Bigger is limited by the fact that he has only completed the eighth grade, and by the racist real estate practices that force him to live in poverty. Furthermore, he is subjected to endless bombardment from a popular culture that portrays whites as sophisticated and blacks as either subservient or savage. Indeed, racism has severely curtailed Biggerâs prospects in life and even his very conception of himself. He is ashamed of his familyâs poverty and afraid of the whites who control his lifeâfeelings he works hard to keep hidden, even from himself. When these feelings overwhelm him, he reacts with violence. Bigger commits crimes with his friendsâthough only against other blacks, as the group is too frightened to rob a white manâbut his own violence is often directed at these friends as well. Bigger feels little guilt after he accidentally kills Mary due to fear. But later on, he feels for the first time as though his life actually has meaning. Maryâs murder makes him believe that he has the power to assert himself against whites. Wright goes out of his way to emphasize that Bigger is not a conventional hero, as his brutality and capacity for violence are extremely disturbing, especially in graphic scenes such as the one in which he decapitates Maryâs corpse in order to stuff it into the furnace. Wright does not present Bigger as a hero to admire, but as a frightening and upsetting figure created by racism. Indeed, Wrightâs point is that Bigger becomes a brutal killer precisely because the dominant white culture fears that he will become a brutal killer. By confirming whitesâ fears, Bigger contributes to the cycle of racism in America. Only after he meets Max and learns to talk through his problems does Bigger begin to redeem himself, recognizing whites as individuals for the first time and realizing the extent to which he has been stunted by racism. Biggerâs progress is cut short, however, by his execution
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